Airing on September 17, 1972, Etude in Black, the first episode of Columbo’s second season, was ‘event television’ in the truest sense.
A big-budget affair with Hollywood royalty John Cassavetes and Myrna Loy headlining the cast, Etude was a magnificent statement of intent for the series, and one which highlighted that the show wasn’t planning to rest on its laurels after the stellar success of its opening season.
Etude in Black is many fans’ numero uno episode. But just what are its absolute highlights? Here’s my take on Etude‘s top 5 scenes…
“A big-budget affair, Etude was a magnificent statement of intent for what was in store for Season 2.”
5. Dog’s debut!
Columbo’s much-loved basset hounds makes his bow in Etude in Black, with viewers first encountering the slovenly scamp getting his shots at the vet’s after being rescued from the pound. The absolutely perfect choice for a canine sidekick for the crumpled detective, ‘Dog’, as he comes to be known, went on to become the single-most recurring character in the series aside from Columbo himself, appearing in eight 70s’ episodes.
His presence here is both endearing and entertaining, but it also has plot benefits as it is the music-loving vet’s rewatching of the Alex Benedict concert in Columbo’s presence that leads the Lieutenant to crack the case over the missing carnation.
4. Loy lays down the law
Don’t you DARE smirk at Loy’s boy-scout-meets-tablecloth ensemble…
As befitting a silver screen icon, when Myrna Loy is on-screen as Benedict’s mother-in-law, Lizzie Fielding, it’s all eyes on her. Lizzy’s family money and connections keep Alex living the good life, so when she says ‘jump’, he’s pleading to know how high. It’s perfectly clear who really wears the trousers when it comes to symphony relationships, and Loy also presides over a disciplinary hearing for rogue trumpeter Paul like a boss.
It’s a small role, but it’s all class from Loy, who is arguably the most watchable individual in an episode jam-packed with watchable individuals…
3. Benedict’s knockout blow
“He’s behiiiiiiiiiiind you…”
The philandering Benedict has a problem on his hands in the shape of thigh-revealing pianist Jennifer Welles. The two have been having a love affair, and Jennifer is now threatening to blow the whistle if Benedict doesn’t leave his young wife Janice.
Benedict loves money too much to remove himself from the Fielding family bosom, which can only mean one thing: MURRRRRDERRRRR! So after sneaking round to Jennifer’s house (in broad daylight, wearing a conspicuous disguise, and driving a very recognisable car) he shows his sheer ruthlessness by braining the lass with an ashtray as she lovingly serenades him with a piano ditty.
Effectively staged and edited to spare viewers the sight of any actual violence, this is one of the series’ most powerful and memorable murders.
2. Unsettling the Maestro
Etude was the first Columbo episode extended to the ‘long’ 2-hour running time (90+ minutes without ad breaks). As a result, a number of extra scenes needed to be shot after initial filming to bump up the running time, including this one where Columbo visits casa Benedict (note Cassavetes’ shorter haircut). I’m generally not a big fan of scenes added in simply to pad the episode out, but this example is a cracker!
In a classic unsettling move, Columbo troubles his quarry at a time and place they feel most secure. In this instance, Benedict is enjoying some quiet time at home at the weekend when Columbo shows up unannounced. The Lieutenant spends 5 minutes with the Maestro and doesn’t ask a single question relevant to the case, eventually leaving with an autograph for Mrs Columbo – and the satisfaction of knowing he’s really getting inside Benedict’s head.
1. Chopsticks at the Bowl
Nothing beats the simple pleasure of seeing Columbo indulging in some cheeky Chopsticks action at a deserted Hollywood Bowl.
Not only is it charming in its own right, but the moment also leads into a delicious hypothetical debate between the Lieutenant and Benedict about whether the Maestro could have committed the crime. This ends with Columbo shattering Benedict’s aura of impregnability by revealing that his superiors are letting him investigate the case as a homicide.
There’s even a classic ‘Just one more thing…’ thrown in for good measure. Bravo!
Nothing beats the simple pleasure of seeing Columbo indulging in some cheeky Chopsticks action at a deserted Hollywood Bowl.
Let me know your own episode highlights below! And if you’re keen for a more detailed analysis of Etude, you can read my full review here. Thanks for reading, and check back again soon!
Look here, Mr Miyagi, I don’t care if he is waxing the car – I want to see The Maestro right now!
Can someone PLEASE tell me the FINAL thing Alex whispers to his wife ..😊😊
From memory, it’s something very close to: “We both know I’m guilty. For what it’s worth, I love you.”
Very good, CP. From memory, that’s very close. Not from memory, it was: “I’m guilty. You know that. Just for the record, I love you.”
Followed by: “I’ve always loved you. I hope you don’t have to go through your life — you know.”
Has anyone been able to figure out the internal calculations Columbo was doing to estimate the value of the house in Etude in Black? He said aloud, “‘Three times eighteen, carry the twenty-four, seven down, bring down the zero.'” I’m trying to figure out how he was able to come up with his estimate of $720,000. I was trying to create the equation he was using. He had said, “Oh, it’s a real estate rule of thumb, it’s a trick, no magic, I’m not an appraiser or anything like that.”
I was just wondering this myself and found you asking the same question. Using ONLY the numbers he said out loud I thought it might be something like this: 18k * 3 is only 54k. “Carry the 24” might come from some internal math based on all the room sizes he was asking and might be simply require him to add 24 to his previous number. This would get him 78k. “7 down” might be another adjustment from some other internal calculation bringing it down to 71k. Lastly bring down the zero might mean he’s multiplying that number by 10 (as in adding a zero). This gets us 710k… still 10k shy of the estimate he gives but again there might have been some other internal adjustment he did based on some other bit of info.
Again that’s all just guess work because even if I was right, I have no idea how he came up with the 24 or the 7 that he muttered. Or for that matter why he multiplied it by 3. That last one at least makes sense for a “rule of thumb” if it’s just always multiply the taxes by 3.
I love the scene at the ballet class where Audrey asks Columbo if he is interested in her mind or her body and he gets so flustered! To me it is hilarious.
I love the terrible conducting.
my favorite episode
I loved the ending. “Thank you, genius”.
I just happened upon this episode on Cozi TV. Cassavetes was a terrific actor, who compelled attention. I know he also became a fine director, but I think he quit acting regularly too soon in his accomplished career. I remember how he came close to stealing the show in the middle of a wonderful cast in “The Dirty Dozen”. Columbo always had great cast members, and this episode was a prime example. Myrna Loy, Blythe Danner, et al. Count me thrilled to have stumbled upon this terrific TV gem!
This is one of the most entertaining reviews I have ever read. Am watching the “cigar bomb’ episode” from Season One and look at Roddy McDowell differently since you pointed out how he clearly displays his private attributes. But that was a daring period all around on TV, at least in America. I guess it was one way to get something past the censors. Now its all irrelevant. I guess, and interestingly, the guys don’t seem to feel a need to do it.
The part where Columbo does math in his head. Peter Falk started out as an accountant, and it really shows. (If I may:)
C: Can I ask you a personal question?
AB: Please.
C: What do you pay in taxes on this place?
AB: 18,000 dollars a year.
C: Three times 18, carry the 24, seven down, bring down the zero… place cost you 720,000.
AB: 750,000.
C: (whistles.) Could I look in there?
AB: Yeah, go ahead…listen, uhh, how did you arrive at that figure, 750,000?
C: Oh, it’s a real estate rule of thumb, it’s a trick, no magic, I’m not an appraiser or anything like that. Can I ask you something?
AB: Go ahead.
C: How much you got in the furniture?
AB: (surprised) 200,000, 100,000, give or take a hundred thousand, something like that.
C: I’ll take it!
AB: Can I ask you a personal question?
C: Yeah!
AB: Did you have anything specific that you wanted to talk to me about?
C: No, I’m gonna get to that, but I’m fascinated by money, aren’t you?
AB: Yeah, I’m fascinated by money uh but what it can do, that’s all.
C: Yeah. Yeah. Anyway, what I was going to ask you is this: how much do you make?
AB: I d- uh, that’s very impertinent. How much do I make.
C: Tours?
AB: I dunno.
C: Concerts?
AB: I don’t know.
C: Publishing?
AB: Don’t know.
C: Well, etcetra, ‘cetra. I make 11,000 dollars a year. So, at 11,000 dollars a year, I got 750,000 dollars for the house, 18,000 dollars in taxes, 200 in furniture, how much help do ya have?
AB: I have five, including the gardener.
C: You got that, and the money, plus plus plus…Now, 11,000 times 10 years, 110,000, 11,000 times 100 years is 1.1 million, …well, let’s say 900,000. That’s 90 years’ work for me just to live here. Without eating.
One interesting fact about this episode is that the actress portraying Janice, one Blythe Danner, was actually pregnant with Gywneth Paltrow during the filming, basically making it Gwyneth’s screen debut.
Gywneth should have been credited as “Janice’s baby bump”. Silly, yes but if Paul Galesko’s beard can get credit from CP, why not?
Can’t argue at all with those five moments. I’d nominate an Honorable Mention: When Colombo is at the auto shop and the mechanic suggests he gets another car. Columbo says he does have another car, his wife uses it. But it’s nothing special, just transportation.
That would have been sixth on the list! I do like that little exchange.
my favourite part which i feel should in there is when columbo takes te young girl audrey who lived next door to identify the lover that used to be arounds columbo expects her to point to AB but instead points to the other innocent loke wuthh the shoulder long hair columbos face changed.
I love the moment when Columbo reacts to Benedict’s elaborate theory of why the artist’s suicide was possible. He pauses, smacks his lips, and says with obvious skepticism, “Yeah.”
In scenes like this, I’ve always wanted Columbo to turn to the theorizing murderer and say: “Why are you trying to convince me that it was a suicide? Why is that important to you? Why does it matter so much to you how this happened?”
This is one of my favorite moments from any episode. I especially like it when Alex tells him he had been up all night thinking about why she would have killed herself and Columbo goes from chuckling “No kidding” to clearing his throat and putting a concerned look on his face “Why is that?”, when Alex says he rejected the idea of her murder.
I love when columbo goes to Benedict’s house and the butler goes screaming for “Mr. Benedict, MR. BENEDICT!”.
Absolutely bonkers scene, very funny!
The highlight for me is the sly reference to Myrna Loy’s illustrious and swinging past roles in the exchange between Myrna Loy and James Olson over his marijuana use. https://chawedrosin.wordpress.com/2018/04/03/meta-moments-in-70s-television/
hahaha omg she truly is the greatest
You picked some great moments there. This is one of my favourite episodes.